By “the Flash of Fireflies”: Multi-Focal Forms of Critique in Nadine Gordimer’s Late Short Story Cycles
Nadine Gordimer’s late short stories in Beethoven Was One-Sixteenth Black and Loot use a fragmentary, non-linear form to depict their contemporary society as a multi-temporal present that is haunted by its colonial past. By blending different narrative modes, including moral fable, political allegor...
Guardat en:
| Publicat a: | URI:https://journals.openedition.org/ces, |
|---|---|
| Autor principal: | |
| Format: | Article ou chapitre numérique |
| Idioma: | Anglais |
| Publicat: |
Commonwealth Essays and Studies
2019
|
| Accés en línia: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Sumari: | Nadine Gordimer’s late short stories in Beethoven Was One-Sixteenth Black and Loot use a fragmentary, non-linear form to depict their contemporary society as a multi-temporal present that is haunted by its colonial past. By blending different narrative modes, including moral fable, political allegory and social realism, the stories engage with the injustices of a capitalist world-system in post-apartheid South Africa that are manifested simultaneously across different temporal and geographical scales. |
|---|