Gordimer, Interrupted
Recent critical attention has turned to questions of form, genre, and style in Nadine Gordimer’s fiction, and particularly to the disrupted or disruptive features of her work, not least in her later short stories. This essay approaches the idea of interruption as not only consistent in Gordimer’s fi...
保存先:
| 出版年: | URI:https://journals.openedition.org/ces, |
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| 第一著者: | |
| フォーマット: | Article ou chapitre numérique |
| 言語: | Anglais |
| 出版事項: |
Commonwealth Essays and Studies
2019
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| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| 要約: | Recent critical attention has turned to questions of form, genre, and style in Nadine Gordimer’s fiction, and particularly to the disrupted or disruptive features of her work, not least in her later short stories. This essay approaches the idea of interruption as not only consistent in Gordimer’s fiction all along, but as one that can be read as a kind of signature in her novels and short stories alike. Whether concerning content, form or style, Gordimer writes under the sign of interruption, in a way that develops and transforms through time. |
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