Nadine Gordimer: De-Linking, Interrupting, Severing. Introduction
In a reflection about her own positionality, seen against the provisional and uncertain background of the “breaches and interstices that the ravelling-out of apartheid colonialism produced” (Writing 128), Nadine Gordimer recounts how her artistic calling preceded her political activism. In this ess...
Enregistré dans:
| 發表在: | URI:https://journals.openedition.org/ces, |
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| Auteurs principaux: | , |
| 格式: | Article ou chapitre numérique |
| 語言: | Anglais |
| 出版: |
Commonwealth Essays and Studies
2019
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| 在線閱讀: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| 總結: | In a reflection about her own positionality, seen against the provisional and uncertain background of the “breaches and interstices that the ravelling-out of apartheid colonialism produced” (Writing 128), Nadine Gordimer recounts how her artistic calling preceded her political activism. In this essay, entitled “That Other World that Was the World,” she explains that before she committed herself to the anti-apartheid struggle per se, she had mingled with black writers, painters, and actors, a... |
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