Haunted Histories, Animate Futures: Recovering Noongar Knowledge through Kim Scott’s That Deadman Dance
In That Deadman Dance, Kim Scott draws on Noongar vocabulary and ontology to immerse readers in a world where rain cries and chuckles as it structures the land according to its own designs. This essay positions Scott’s novel as one manifestation of his ongoing commitment to the recovery of repressed...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/ces, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
Commonwealth Essays and Studies
2019
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |