Fine Red Threads: Dislocation and Identity in Lisa Bird-Wilson’s Just Pretending
This paper examines Canadian Métis author Lisa Bird-Wilson’s short story collection Just Pretending in light of “race shifting” as identified by Darryl Leroux in Distorted Descent. Against a model of Métis identity that is based purely on distant genealogical connections and self-identification, Bir...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/ces, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Commonwealth Essays and Studies
2020
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |