The Music under the Stone: A Reading of Alex La Guma’s The Stone Country
This paper recognizes the critical divide occasioned by Alex La Guma’s The Stone Country, providing examples of theoretical positioning from the Formalist and Marxist schools, respectively. In a re-reading of the text, motivated by the author’s own metapoetic stance, it argues for the opening up of...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/ces, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
Commonwealth Essays and Studies
2024
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |