The Right Hand Writing and the Left Hand Erasing in Margaret Atwood’s The Blind Assassin
This paper demonstrates how the overlapping of the embedded narratives in Atwood’s palimpsestic Booker Prize-winning novel exposes the mechanisms of the framing narrative, all the while disclosing the teleological, referential, and axiological dimensions underlying literary forms, and, simultaneousl...
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| Pubblicato in: | URI:https://journals.openedition.org/ces, |
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| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
| Pubblicazione: |
Commonwealth Essays and Studies
2024
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Riassunto: | This paper demonstrates how the overlapping of the embedded narratives in Atwood’s palimpsestic Booker Prize-winning novel exposes the mechanisms of the framing narrative, all the while disclosing the teleological, referential, and axiological dimensions underlying literary forms, and, simultaneously, decoding a societal order based on cryptic codes. |
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