Putting sculpture on show / Exposer la sculpture : conclusion
The creative act is but one, albeit the most essential one, of the episodes in an artwork’s life. Long privileged as a subject of study by art historians, the work’s conception and translation into form have historically attracted much scholarly attention and inspired many lengthy and erudite texts...
Tallennettuna:
| Julkaisussa: | URI:https://journals.openedition.org/cel, |
|---|---|
| Päätekijä: | |
| Aineistotyyppi: | Article ou chapitre numérique |
| Kieli: | Anglais |
| Julkaistu: |
Les Cahiers de l'École du Louvre
2016
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| Linkit: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:cel_344 |
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openedition |
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openedition-oai:revues.org:cel_344 https://doi.org/10.4000/cel.344 urn:doi:10.4000/cel.344 en https://journals.openedition.org/cel/344 2016-08-24T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/dpqq https://creativecommons.org/licenses/by-nc-nd/4.0/ Putting sculpture on show / Exposer la sculpture : conclusion The creative act is but one, albeit the most essential one, of the episodes in an artwork’s life. Long privileged as a subject of study by art historians, the work’s conception and translation into form have historically attracted much scholarly attention and inspired many lengthy and erudite texts. More recently, however, art historians have begun to pay increasing attention to the other stages in a work’s life, following its departure from the artist’s studio, and thus to the forces that c... Les Cahiers de l'École du Louvre École du Louvre info:eu-repo/semantics/reference/issn/2262-208X URI:https://journals.openedition.org/cel Hurley-Griener, Cécilia |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
The creative act is but one, albeit the most essential one, of the episodes in an artwork’s life. Long privileged as a subject of study by art historians, the work’s conception and translation into form have historically attracted much scholarly attention and inspired many lengthy and erudite texts. More recently, however, art historians have begun to pay increasing attention to the other stages in a work’s life, following its departure from the artist’s studio, and thus to the forces that c... |
| author |
Hurley-Griener, Cécilia |
| spellingShingle |
Hurley-Griener, Cécilia Putting sculpture on show / Exposer la sculpture : conclusion |
| author_facet |
Hurley-Griener, Cécilia |
| author_sort |
Hurley-Griener, Cécilia |
| title |
Putting sculpture on show / Exposer la sculpture : conclusion |
| title_short |
Putting sculpture on show / Exposer la sculpture : conclusion |
| title_full |
Putting sculpture on show / Exposer la sculpture : conclusion |
| title_fullStr |
Putting sculpture on show / Exposer la sculpture : conclusion |
| title_full_unstemmed |
Putting sculpture on show / Exposer la sculpture : conclusion |
| title_sort |
putting sculpture on show / exposer la sculpture : conclusion |
| publisher |
Les Cahiers de l'École du Louvre |
| publishDate |
2016 |
| container_title |
URI:https://journals.openedition.org/cel |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/cel.344 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/cel/344 |
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