Putting sculpture on show / Exposer la sculpture : conclusion
The creative act is but one, albeit the most essential one, of the episodes in an artwork’s life. Long privileged as a subject of study by art historians, the work’s conception and translation into form have historically attracted much scholarly attention and inspired many lengthy and erudite texts...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/cel, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
Les Cahiers de l'École du Louvre
2016
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Résumé: | The creative act is but one, albeit the most essential one, of the episodes in an artwork’s life. Long privileged as a subject of study by art historians, the work’s conception and translation into form have historically attracted much scholarly attention and inspired many lengthy and erudite texts. More recently, however, art historians have begun to pay increasing attention to the other stages in a work’s life, following its departure from the artist’s studio, and thus to the forces that c... |
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