Introduction
A film crew can be like the sailors on the USS Caine, on the verge of mutiny. If they sense weakness in the captain, plenty of junior officers are ready to step in and take over. Part of it is self-preservation. Key crew are in demand because of previous success, not failure. If a film goes down, i...
Wedi'i Gadw mewn:
| Cyhoeddwyd yn: | URI:https://journals.openedition.org/ccc, |
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| Prif Awduron: | , |
| Fformat: | Article ou chapitre numérique |
| Iaith: | Français |
| Cyhoeddwyd: |
Création collective au cinéma
2025
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| Mynediad Ar-lein: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:ccc_812 |
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openedition |
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openedition-oai:revues.org:ccc_812 https://doi.org/10.4000/14ekr urn:doi:10.4000/14ekr fr https://journals.openedition.org/ccc/812 2025-07-22T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/14ekr https://creativecommons.org/licenses/by-sa/4.0/ Introduction A film crew can be like the sailors on the USS Caine, on the verge of mutiny. If they sense weakness in the captain, plenty of junior officers are ready to step in and take over. Part of it is self-preservation. Key crew are in demand because of previous success, not failure. If a film goes down, it can take all hands with it.William Friedkin, The Friedkin Connection: A Memoir, Harper, 2013, p. 125 Dans ses mémoires, William Friedkin revient sur sa carrière et ses expériences de réalisateur... Création collective au cinéma Université Paris VIII info:eu-repo/semantics/reference/issn/2780-0288 URI:https://journals.openedition.org/ccc Bonhomme, Bérénice Pór, Katalin |
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OpenEdition Journal |
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Français |
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Article ou chapitre numérique |
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0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
A film crew can be like the sailors on the USS Caine, on the verge of mutiny. If they sense weakness in the captain, plenty of junior officers are ready to step in and take over. Part of it is self-preservation. Key crew are in demand because of previous success, not failure. If a film goes down, it can take all hands with it.William Friedkin, The Friedkin Connection: A Memoir, Harper, 2013, p. 125 Dans ses mémoires, William Friedkin revient sur sa carrière et ses expériences de réalisateur... |
| author |
Bonhomme, Bérénice Pór, Katalin |
| spellingShingle |
Bonhomme, Bérénice Pór, Katalin Introduction |
| author_facet |
Bonhomme, Bérénice Pór, Katalin |
| author_sort |
Bonhomme, Bérénice |
| title |
Introduction |
| title_short |
Introduction |
| title_full |
Introduction |
| title_fullStr |
Introduction |
| title_full_unstemmed |
Introduction |
| title_sort |
introduction |
| publisher |
Création collective au cinéma |
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2025 |
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URI:https://journals.openedition.org/ccc |
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https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/14ekr https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/ccc/812 |
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