Introduction
A film crew can be like the sailors on the USS Caine, on the verge of mutiny. If they sense weakness in the captain, plenty of junior officers are ready to step in and take over. Part of it is self-preservation. Key crew are in demand because of previous success, not failure. If a film goes down, i...
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| 發表在: | URI:https://journals.openedition.org/ccc, |
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| Auteurs principaux: | , |
| 格式: | Article ou chapitre numérique |
| 語言: | Français |
| 出版: |
Création collective au cinéma
2025
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| 在線閱讀: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| 總結: | A film crew can be like the sailors on the USS Caine, on the verge of mutiny. If they sense weakness in the captain, plenty of junior officers are ready to step in and take over. Part of it is self-preservation. Key crew are in demand because of previous success, not failure. If a film goes down, it can take all hands with it.William Friedkin, The Friedkin Connection: A Memoir, Harper, 2013, p. 125 Dans ses mémoires, William Friedkin revient sur sa carrière et ses expériences de réalisateur... |
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