A History of Ordinary Economic Practices in Music and Entertainment (Seventeenth Century-Twentieth Century)
Figure 1Benjamin Roubaud (lithograph), “Eugène Scribe,” Panthéon charivarique, Paris, Bauger, June 1841.Source: French National Library (BnF).1. One or Several Entertainment Economies?The study of the economic dimensions of music and the performing arts truly took off about fifty years ago. Art his...
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| Udgivet i: | URI:https://journals.openedition.org/bssg, |
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| Auteurs principaux: | , , , |
| Format: | Article ou chapitre numérique |
| Sprog: | Français |
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Biens Symboliques / Symbolic Goods
2025
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| Online adgang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Summary: | Figure 1Benjamin Roubaud (lithograph), “Eugène Scribe,” Panthéon charivarique, Paris, Bauger, June 1841.Source: French National Library (BnF).1. One or Several Entertainment Economies?The study of the economic dimensions of music and the performing arts truly took off about fifty years ago. Art historians had taken an interest in the economic dimension of entertainment since the early twentieth century, as can be seen in the work of Aby Warburg (2004; Surgers 2009) and his circle on the Medi... |
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