Making TV
Supposedly losing ground with the multiplication of screens and new consumer practices for audiovisual productions, television is undergoing major transformations. Nevertheless, it remains a dominant medium. This dossier focuses on the making of television programmes—a subject rarely studied by soci...
Spremljeno u:
| Izdano u: | URI:https://journals.openedition.org/bssg, |
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| Glavni autori: | , |
| Format: | Article ou chapitre numérique |
| Jezik: | Anglais |
| Izdano: |
Biens Symboliques / Symbolic Goods
2021
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| Online pristup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Sažetak: | Supposedly losing ground with the multiplication of screens and new consumer practices for audiovisual productions, television is undergoing major transformations. Nevertheless, it remains a dominant medium. This dossier focuses on the making of television programmes—a subject rarely studied by social science. We propose to analyse, through different perspectives, the workings of audiovisual production in order to question the dynamics of the division of labour, the effects of the multiple constraints (of time, audience, budget, etc.) on the produced content, the mechanisms of the internationalization of the television programme market, and TV writers’ difficulty in gaining recognition. |
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