Walid El Hamamsy and Soliman Mounira (Eds). Popular Culture in the Middle East and North Africa. A Postcolonial Outlook
Popular culture started as a peculiarly western phenomenon. Its study therefore has been traditionally, and quite understandably, focused on works originating within what could be loosely defined as the First World : North America and Europe primarily. Critical theory has also been chiefly concerne...
Gardado en:
| Publicado en: | URI:https://journals.openedition.org/belphegor, |
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| Autor Principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
| Publicado: |
Belphégor
2015
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| Acceso en liña: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Résumé: | Popular culture started as a peculiarly western phenomenon. Its study therefore has been traditionally, and quite understandably, focused on works originating within what could be loosely defined as the First World : North America and Europe primarily. Critical theory has also been chiefly concerned with understanding the implications of these works within these particular cultural parameters. This collection of fifteen articles, divided in five thematic sections, attempts to open new ground... |
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