Cartooning the conflict
Looking back on his beginnings as a political cartoonist for Israeli TV, Kichka explains how he got the opportunity to internationalize his work and of experiencing different media, editorial lines and audiences. He describes the debates between cartoonists about the necessary subjectivity of their...
Enregistré dans:
| Udgivet i: | URI:https://journals.openedition.org/bcrfj, |
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| Format: | Article ou chapitre numérique |
| Sprog: | Anglais |
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Bulletin du Centre de recherche français à Jérusalem
2013
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| Online adgang: | Accès Université d'Orléans et IFPM |
| Summary: | Looking back on his beginnings as a political cartoonist for Israeli TV, Kichka explains how he got the opportunity to internationalize his work and of experiencing different media, editorial lines and audiences. He describes the debates between cartoonists about the necessary subjectivity of their approach, critics the anti-Semitism of some cartoons and talks about the Cartooning for Peace’s family of which he is a founding member. Considering the role of cartoon among images, Kichka shows that, despite the recent decline of the political cartoon, the cartoonists, like the photographers, create icons. |
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