Moving Objects, Images, and Memories: Hamza Bey Mosque/Alcazar Cinema as an Affective Archive of Thessaloniki

Moving Objects, Images, and Memories: Hamza Bey Mosque/Alcazar Cinema as an Affective Archive of Thessaloniki

This article focuses on the materiality of the Hamza Bey Mosque/Alcazar cinema building in Thessaloniki and its role in the shaping of subjective and collective experiences of the city. It follows its trajectory through highly transitional, historical times, defined by massive successive demographic...

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Detalhes bibliográficos
Publicado no:URI:https://journals.openedition.org/bchmc,
Auteurs principaux: Kornetis, Kostis, Poulos, Panagiotis C.
Formato: Article ou chapitre numérique
Idioma:Anglais
Publicado em: Bulletin de correspondance hellénique moderne et contemporain 2022
Acesso em linha:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling openedition-oai:revues.org:bchmc_820 https://doi.org/10.4000/bchmc.820 urn:doi:10.4000/bchmc.820 en https://journals.openedition.org/bchmc/820 2022-03-24T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/d7at https://creativecommons.org/licenses/by-nc-nd/4.0/ Moving Objects, Images, and Memories: Hamza Bey Mosque/Alcazar Cinema as an Affective Archive of Thessaloniki Bulletin de correspondance hellénique moderne et contemporain École française d’Athènes info:eu-repo/semantics/reference/issn/2732-6535 URI:https://journals.openedition.org/bchmc Kornetis, Kostis Poulos, Panagiotis C. This article focuses on the materiality of the Hamza Bey Mosque/Alcazar cinema building in Thessaloniki and its role in the shaping of subjective and collective experiences of the city. It follows its trajectory through highly transitional, historical times, defined by massive successive demographic shifts in the wider area and by major political and social transformations. Instead of exploring Hamza Bey Mosque and its ambivalent status as a historical monument in relation to the top‑down state policy on cultural heritage, this article intends to restore a layer of the city’s history through the study of the interplay between materiality, inter-sensoriality and the affective responses to the transition of the city of Thessaloniki from the Ottoman Empire to the Greek state. Cet article s’intéresse à la matérialité de la mosquée Hamza‑Bey, surnommée Alkazár et transformée en cinéma, et à la manière dont ce bâtiment a façonné les expériences subjectives et collectives de la cité. Il suit son évolution à travers une période historique de profonds bouleversements, caractérisés par une succession de changements démographiques à plus large échelle et de transformations politiques et sociales majeures. Plutôt que d’analyser la mosquée et son statut ambivalent de monument historique dans le contexte politique imposé par le pouvoir central en matière d’héritage culturel, cet article vise à restaurer une strate de l’histoire de la ville, en étudiant l’interaction entre les éléments matériels, l’intersensorialité et les réactions émotionnelles à la transition que connaît la ville de Thessalonique, de l’Empire ottoman vers l’État grec.
collection OpenEdition Journal
language Anglais
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/OpenEdition Journals/
description This article focuses on the materiality of the Hamza Bey Mosque/Alcazar cinema building in Thessaloniki and its role in the shaping of subjective and collective experiences of the city. It follows its trajectory through highly transitional, historical times, defined by massive successive demographic shifts in the wider area and by major political and social transformations. Instead of exploring Hamza Bey Mosque and its ambivalent status as a historical monument in relation to the top‑down state policy on cultural heritage, this article intends to restore a layer of the city’s history through the study of the interplay between materiality, inter-sensoriality and the affective responses to the transition of the city of Thessaloniki from the Ottoman Empire to the Greek state.
author Kornetis, Kostis
Poulos, Panagiotis C.
spellingShingle Kornetis, Kostis
Poulos, Panagiotis C.
Moving Objects, Images, and Memories: Hamza Bey Mosque/Alcazar Cinema as an Affective Archive of Thessaloniki
author_facet Kornetis, Kostis
Poulos, Panagiotis C.
author_sort Kornetis, Kostis
title Moving Objects, Images, and Memories: Hamza Bey Mosque/Alcazar Cinema as an Affective Archive of Thessaloniki
title_short Moving Objects, Images, and Memories: Hamza Bey Mosque/Alcazar Cinema as an Affective Archive of Thessaloniki
title_full Moving Objects, Images, and Memories: Hamza Bey Mosque/Alcazar Cinema as an Affective Archive of Thessaloniki
title_fullStr Moving Objects, Images, and Memories: Hamza Bey Mosque/Alcazar Cinema as an Affective Archive of Thessaloniki
title_full_unstemmed Moving Objects, Images, and Memories: Hamza Bey Mosque/Alcazar Cinema as an Affective Archive of Thessaloniki
title_sort moving objects, images, and memories: hamza bey mosque/alcazar cinema as an affective archive of thessaloniki
publisher Bulletin de correspondance hellénique moderne et contemporain
publishDate 2022
container_title URI:https://journals.openedition.org/bchmc
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/bchmc.820
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/bchmc/820
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