Moving Objects, Images, and Memories: Hamza Bey Mosque/Alcazar Cinema as an Affective Archive of Thessaloniki
This article focuses on the materiality of the Hamza Bey Mosque/Alcazar cinema building in Thessaloniki and its role in the shaping of subjective and collective experiences of the city. It follows its trajectory through highly transitional, historical times, defined by massive successive demographic...
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| Xuất bản năm: | URI:https://journals.openedition.org/bchmc, |
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| Những tác giả chính: | , |
| Định dạng: | Article ou chapitre numérique |
| Ngôn ngữ: | Anglais |
| Được phát hành: |
Bulletin de correspondance hellénique moderne et contemporain
2022
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| Truy cập trực tuyến: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Tóm tắt: | This article focuses on the materiality of the Hamza Bey Mosque/Alcazar cinema building in Thessaloniki and its role in the shaping of subjective and collective experiences of the city. It follows its trajectory through highly transitional, historical times, defined by massive successive demographic shifts in the wider area and by major political and social transformations. Instead of exploring Hamza Bey Mosque and its ambivalent status as a historical monument in relation to the top‑down state policy on cultural heritage, this article intends to restore a layer of the city’s history through the study of the interplay between materiality, inter-sensoriality and the affective responses to the transition of the city of Thessaloniki from the Ottoman Empire to the Greek state. |
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