Burton's Anatomy and the Intellectual Traditions of Melancholy
This article discusses the ways in which Robert Burton’s Anatomy of Melancholy (1621) inherited and transformed the various European traditions of thinking about melancholy. It divides these traditions into four categories—medical, natural-philosophical, moral-philosophical, and theological—and surv...
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| 出版年: | URI:https://journals.openedition.org/babel, |
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| 第一著者: | |
| フォーマット: | Article ou chapitre numérique |
| 言語: | Anglais |
| 出版事項: |
Babel
2013
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| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| 要約: | This article discusses the ways in which Robert Burton’s Anatomy of Melancholy (1621) inherited and transformed the various European traditions of thinking about melancholy. It divides these traditions into four categories—medical, natural-philosophical, moral-philosophical, and theological—and surveys their conceptual contents from antiquity to the late Renaissance. Whilst the Anatomy summarises these traditions, it also modified them in notable ways, fusing medical and moral theory, but also extending the reach of medicine into the religious domain. Paradoxically, however, Burton’s medicalisation of the moral and theological traditions of melancholy gave them a conceptual coherence which they had previously lacked, and contributed to their persistence beyond the seventeenth century. |
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