Ruining Image and the Image as Ruin: William Kentridge’s Trionfi e Lamenti in Rome

The essay examines South African visual artist William Kentridge’s monumental erase graffiti frieze Trionfi e Lamenti in Rome (2016), focusing on the artwork’s palimpsestic reworking of a visual archive of Rome and Roman triumphal iconography. Kentridge’s disturbing and ghostly procession along the...

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Detaylı Bibliyografya
Yayımlandı:URI:https://journals.openedition.org/babel,
Yazar: Mihálycsa, Erika
Materyal Türü: Article ou chapitre numérique
Dil:Anglais
Baskı/Yayın Bilgisi: Babel 2025
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Online Erişim:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM

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https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/14e18
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/babel/16517