Ruining Image and the Image as Ruin: William Kentridge’s Trionfi e Lamenti in Rome
The essay examines South African visual artist William Kentridge’s monumental erase graffiti frieze Trionfi e Lamenti in Rome (2016), focusing on the artwork’s palimpsestic reworking of a visual archive of Rome and Roman triumphal iconography. Kentridge’s disturbing and ghostly procession along the...
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| Pubblicato in: | URI:https://journals.openedition.org/babel, |
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| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
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Babel
2025
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |