Ruining Image and the Image as Ruin: William Kentridge’s Trionfi e Lamenti in Rome
The essay examines South African visual artist William Kentridge’s monumental erase graffiti frieze Trionfi e Lamenti in Rome (2016), focusing on the artwork’s palimpsestic reworking of a visual archive of Rome and Roman triumphal iconography. Kentridge’s disturbing and ghostly procession along the...
Gardado en:
| Publicado en: | URI:https://journals.openedition.org/babel, |
|---|---|
| Autor Principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
| Publicado: |
Babel
2025
|
| Sujets: | |
| Acceso en liña: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |