Compositio and the Materiality of Architecture in the Italian Renaissance
The sources which Renaissance architects used to develop their architectural compositions were not strictly architectural but were drawn from a wider visual field, and often involved heterogeneous material. This was so because the ancient models, imperfectly preserved as amputated fragments and oft...
में बचाया:
| में प्रकाशित: | URI:https://journals.openedition.org/ashp, |
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| मुख्य लेखक: | |
| स्वरूप: | Article ou chapitre numérique |
| भाषा: | Anglais |
| प्रकाशित: |
Annuaire de l’École pratique des hautes études. Section des sciences historiques et philologiques
2009
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| ऑनलाइन पहुंच: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| सारांश: | The sources which Renaissance architects used to develop their architectural compositions were not strictly architectural but were drawn from a wider visual field, and often involved heterogeneous material. This was so because the ancient models, imperfectly preserved as amputated fragments and often only apprehensible through a great effort of the imagination, needed to be fleshed out by other means: by architectural representations on ancient coins, plaquettes, sculptural reliefs, cameos e... |
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