The bedchamber as contested space: Much Ado About Nothing in film and social media

The bedchamber as contested space: Much Ado About Nothing in film and social media

Contemporary filmmakers and their social media descendants have dwelt at length on the interior of Hero’s chamber, taking advantage of film’s ability to take audiences. Contemporary appropriations of Much Ado About Nothing generally maintain the basic infrastructure of window, bed, and sometimes doo...

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保存先:
書誌詳細
出版年:URI:https://journals.openedition.org/asf,
第一著者: Desmet, Christy
フォーマット: Article ou chapitre numérique
言語:Anglais
出版事項: Arrêt sur scène / Scene Focus 2022
主題:
William Shakespeare
film
bedchamber scenes
Much Ado About Nothing
Hero
social media
scènes de lit
Beaucoup de bruit pour rien
réseaux sociaux
オンライン･アクセス:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id openedition-oai:revues.org:asf_577
record_format openedition
spelling openedition-oai:revues.org:asf_577 https://doi.org/10.4000/asf.577 urn:doi:10.4000/asf.577 en https://journals.openedition.org/asf/577 2022-12-01T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/a4ac https://creativecommons.org/licenses/by-sa/4.0/ The bedchamber as contested space: Much Ado About Nothing in film and social media Arrêt sur scène / Scene Focus IRCL (UMR 5186) CNRS/Université Paul-Valéry Montpellier 3 info:eu-repo/semantics/reference/issn/2268-977X URI:https://journals.openedition.org/asf Desmet, Christy William Shakespeare film bedchamber scenes Much Ado About Nothing Hero social media film William Shakespeare scènes de lit Beaucoup de bruit pour rien Hero réseaux sociaux Contemporary filmmakers and their social media descendants have dwelt at length on the interior of Hero’s chamber, taking advantage of film’s ability to take audiences. Contemporary appropriations of Much Ado About Nothing generally maintain the basic infrastructure of window, bed, and sometimes door, but visualize in lavish detail the interior of Hero’s bedchamber and offer, through extra-diegetic scenes, different versions of what allegedly transpired there. In so doing, they complicate the underlying narratological pattern for female seduction established in the play and so offer new – at times insightful, at times incoherent – accounts of the crucial scene at the heart of Hero’s shaming, death, and the play’s shaky recuperation of a happy marital ending. Les cinéastes contemporains, et ceux qui leur ont succédé sur les réseaux sociaux, se sont amplement intéressés à l’intérieur de la chambre de Héro, profitant de la capacité du cinéma à emporter avec lui le public. Des adaptations contemporaines de Beaucoup de bruit pour rien conservent le plus souvent l’infrastructure essentielle (fenêtre, lit et porte, parfois), donnant à voir l’intérieur de la chambre de Héro avec une abondance de détails et proposant, dans des scènes extra-diégétiques, différentes versions de ce qui s’y est apparemment passé. Ce faisant, ils complexifient le schéma narratologique sous-jacent de la séduction féminine figurant dans la pièce et proposent ainsi des interprétations nouvelles – parfois perspicaces, parfois incohérentes – d’une scène cruciale, déterminante pour l’humiliation et la mort de Héro, et d’une récupération incertaine du dénouement marital heureux.
collection OpenEdition Journal
language Anglais
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/OpenEdition Journals/
topic William Shakespeare
film
bedchamber scenes
Much Ado About Nothing
Hero
social media
film
William Shakespeare
scènes de lit
Beaucoup de bruit pour rien
Hero
réseaux sociaux
spellingShingle William Shakespeare
film
bedchamber scenes
Much Ado About Nothing
Hero
social media
film
William Shakespeare
scènes de lit
Beaucoup de bruit pour rien
Hero
réseaux sociaux
Desmet, Christy
The bedchamber as contested space: Much Ado About Nothing in film and social media
description Contemporary filmmakers and their social media descendants have dwelt at length on the interior of Hero’s chamber, taking advantage of film’s ability to take audiences. Contemporary appropriations of Much Ado About Nothing generally maintain the basic infrastructure of window, bed, and sometimes door, but visualize in lavish detail the interior of Hero’s bedchamber and offer, through extra-diegetic scenes, different versions of what allegedly transpired there. In so doing, they complicate the underlying narratological pattern for female seduction established in the play and so offer new – at times insightful, at times incoherent – accounts of the crucial scene at the heart of Hero’s shaming, death, and the play’s shaky recuperation of a happy marital ending.
author Desmet, Christy
author_facet Desmet, Christy
author_sort Desmet, Christy
title The bedchamber as contested space: Much Ado About Nothing in film and social media
title_short The bedchamber as contested space: Much Ado About Nothing in film and social media
title_full The bedchamber as contested space: Much Ado About Nothing in film and social media
title_fullStr The bedchamber as contested space: Much Ado About Nothing in film and social media
title_full_unstemmed The bedchamber as contested space: Much Ado About Nothing in film and social media
title_sort bedchamber as contested space: much ado about nothing in film and social media
publisher Arrêt sur scène / Scene Focus
publishDate 2022
container_title URI:https://journals.openedition.org/asf
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/asf.577
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/asf/577
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