The Power of Interpretation (or How MoMA explained Guernica to its audience)
In 1947 the publication in English of the book of Juan Larrea, Guernica. Pablo Picasso, produced a great bewilderment in Alfred Barr, who was in charge of the collections of the Museum of Modern Art, New York. The interpretation of the Spanish writer radically contradicted what Barr believed correct...
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| Publicado en: | URI:https://journals.openedition.org/artelogie, |
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| Formato: | Article ou chapitre numérique |
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Artelogie
2017
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| Acceso en liña: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |