The 3rd Bienal da Bahia: Transgressive Archives
This article looks at the means deployed by the 3 Bienal da Bahia (2014) to re-enact the spirit of transgression that defined its previous editions, which took place in the 1960s at a time of political turmoil in Brazil, and questions the ability of artistic events to affect political resistance thr...
保存先:
| 出版年: | URI:https://journals.openedition.org/artelogie, |
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| 第一著者: | |
| フォーマット: | Article ou chapitre numérique |
| 言語: | Anglais |
| 出版事項: |
Artelogie
2017
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| 主題: | |
| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| 要約: | This article looks at the means deployed by the 3 Bienal da Bahia (2014) to re-enact the spirit of transgression that defined its previous editions, which took place in the 1960s at a time of political turmoil in Brazil, and questions the ability of artistic events to affect political resistance through the subversion of established codes. The Bienal was conceived as an archive-in-progress, and this article examines the potential of the archive as a transgressive tool. It provides an overview of the structure of the event, from its curatorial project to its actual execution, analysing it in the light of theoretical insights into contemporary exhibition making and archive politics. |
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