Exploring the crisis of subjectivity through the interplay between feminist ideology and historical consciousness in ‘postsocialist art history’, or the emergence of the Millennial art historian from the contradiction between the autonomization and privatization of culture
Consciousness-raising – positioned as the epitome of feminist method and its end goal – narrows feminist historical consciousness to an individual or group identity and overlooks the question of ideological formation: this is one of the markers of the crisis of subjectivity in feminist theory, as th...
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| 出版年: | URI:https://journals.openedition.org/artelogie, |
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| 第一著者: | |
| フォーマット: | Article ou chapitre numérique |
| 出版事項: |
Artelogie
2024
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| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |