Architectural Theory at Two Speeds
The article is a presentation of the ethnographic method applied to architecture. The author explains how “slow ethnographers” work when they deal with a building, by focusing on the case of namBa HIPS building by Shin Takamatsu, in Osaka. “Slow” ethnography offers an alternative to “quick theory” i...
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| Vydáno v: | URI:https://journals.openedition.org/ardeth, |
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| Hlavní autor: | |
| Médium: | Article ou chapitre numérique |
| Jazyk: | Anglais |
| Vydáno: |
Ardeth
2020
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| Témata: | |
| On-line přístup: | Accès Université d'Orléans et IFPM |
| Shrnutí: | The article is a presentation of the ethnographic method applied to architecture. The author explains how “slow ethnographers” work when they deal with a building, by focusing on the case of namBa HIPS building by Shin Takamatsu, in Osaka. “Slow” ethnography offers an alternative to “quick theory” intended as a critical theory of architecture that is based on the observation and interpretation of a static object as related to the consolidated spheres of theory and history. Yaneva’s proposal is to start back from the experience of space and objects as built over time: architecture is a process made of cumulative interactions, that unfolds from the design phase to the experience of those who inhabit it, through a continuous intertwinement of human and non-human entities. The study offers itself as a diachronic operation framing the very project as an anticipation of the many velocities to which the project’s transactions are submitted, just as the uses of built space will be: «While working with the speeds, [the architect] does not express or symbolize anything; he simply immerses into the tempo of design and adjusts its different rhythms with engineers, contractors and investors». |
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