Post-Disaster Memoryscapes
This essay enters the Covid-19 pandemic activated discourse in a sympoietic manner by drawing parallels to the architectural response to the 3.11 Disaster in Tohoku, Japan as a lens to reflect on architecture’s broader response-ability towards matters of human displacement, collective trauma, loss,...
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| Xuất bản năm: | URI:https://journals.openedition.org/ardeth, |
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| Những tác giả chính: | , |
| Định dạng: | Article ou chapitre numérique |
| Ngôn ngữ: | Anglais |
| Được phát hành: |
Ardeth
2021
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| Những chủ đề: | |
| Truy cập trực tuyến: | Accès Université d'Orléans et IFPM |
| Tóm tắt: | This essay enters the Covid-19 pandemic activated discourse in a sympoietic manner by drawing parallels to the architectural response to the 3.11 Disaster in Tohoku, Japan as a lens to reflect on architecture’s broader response-ability towards matters of human displacement, collective trauma, loss, and memory. It explores the notion of burn-out through the scope of disaster-stricken Japan and the road towards recovery by examining three cases of architectural and curatorial projects to illustrate architectural skills and media – drawing, model-making and fieldwork. All of them were characteristically deployed and instigated community transformation through conversational platforms and trust-building. These platforms are referred to as post-disaster memoryscapes, to illustrate the result of fusing community collaboration with architectural mediums in a distinct ethnographical mode capable of reconciling past, present and future. The paper argues that such ethnographical modes of operating expand architecture’s role from a limited sense of building (re)construction, towards the Harawayian notion of sympoietic caring. |
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