On the Search for a Tripartite Identity: Paule Marshall’s Upward Mobility Narrative in Praisesong for the Widow
Paule Marshall’s Praisesong for the Widow (1983) follows the post-Civil Rights Movement, African American literary trend of presenting methods of black characters resisting white supremacy through an embrace of black culture and black life. It is through Marshall’s main character, Avey, that readers...
Salvato in:
| Pubblicato in: | URI:https://journals.openedition.org/angles, |
|---|---|
| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
| Pubblicazione: |
Angles
2025
|
| Soggetti: | |
| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |