“Polarities within an Entity”: The Case of Burke and Hare and Ian Rankin’s The Falls (2001)
The cultural profile of the literary haut lieu that is Edinburgh is marked by a strong interest in the violent history of the city, specifically, in its legacy of crime. This legacy is preserved in a variety of material and immaterial archives, including a substantial body of fictional and non-ficti...
Shranjeno v:
| izdano v: | URI:https://journals.openedition.org/angles, |
|---|---|
| Glavni avtor: | |
| Format: | Article ou chapitre numérique |
| Jezik: | Anglais |
| Izdano: |
Angles
2023
|
| Teme: | |
| Online dostop: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Izvleček: | The cultural profile of the literary haut lieu that is Edinburgh is marked by a strong interest in the violent history of the city, specifically, in its legacy of crime. This legacy is preserved in a variety of material and immaterial archives, including a substantial body of fictional and non-fictional literature, and inscribed in the Edinburgh cityscape. It is also commodified so as to attract the international tourist trade. Using as its prime example Ian Rankin’s 2001 Rebus novel The Falls, this paper sketches the cultural history of one notorious criminal case, that of William Burke and William Hare. In particular, it discusses the spatio-temporal referentiality of texts about Burke and Hare and situates them in the wider context of the Scottish literary tradition. |
|---|