Curating Creative Experimentation: the HyperPavilion at the 57th Venice Biennial
The interview tackles the issue of the relations between art and technology, curation and creation in the digital age. Philippe Riss-Schmidt, the curator of the HyperPavilion presented in the 57th Venice Biennial in 2017, comments on the conception of the exhibition as an experimental immersive spac...
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| Xuất bản năm: | URI:https://journals.openedition.org/angles, |
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| Những tác giả chính: | , |
| Định dạng: | Article ou chapitre numérique |
| Ngôn ngữ: | Anglais |
| Được phát hành: |
Angles
2020
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| Những chủ đề: | |
| Truy cập trực tuyến: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:angles_1066 |
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openedition |
| spelling |
openedition-oai:revues.org:angles_1066 https://doi.org/10.4000/angles.1066 urn:doi:10.4000/angles.1066 en https://journals.openedition.org/angles/1066 2020-07-16T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/9n2u https://creativecommons.org/licenses/by/4.0/ Curating Creative Experimentation: the HyperPavilion at the 57th Venice Biennial Angles Société des Anglicistes de l'Enseignement Supérieur info:eu-repo/semantics/reference/issn/2274-2042 URI:https://journals.openedition.org/angles Riss-Schmidt, Philippe Fortin-Tournès, Anne-Laure expérimental art contemporain exposition numérique commissariat d’exposition art posthumain experimental contemporary art digital exhibition curation post-human art The interview tackles the issue of the relations between art and technology, curation and creation in the digital age. Philippe Riss-Schmidt, the curator of the HyperPavilion presented in the 57th Venice Biennial in 2017, comments on the conception of the exhibition as an experimental immersive space designed to reflect on the post-biohuman world we are entering, and to offer a critical perspective on how artists confront and challenge the digital revolution. L’entretien aborde la question des rapports entre l’art et la technologie, entre l’activité de commissariat d’expositions et la création artistique à l’ère digitale. Philippe Riss-Schmidt, le commissaire de HyperPavilion, exposition présentée à la 57e Biennale de Venise en 2017, évoque sa conception de l’exposition comme un lieu expérimental et immersive conçu à la fois pour refléter le monde post-humain dans lequel nous entrons et pour proposer un point de vue critique sur la manière dont les artistes s’emparent de la révolution digitale pour mieux la défier. |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
expérimental art contemporain exposition numérique commissariat d’exposition art posthumain experimental contemporary art digital exhibition curation post-human art |
| spellingShingle |
expérimental art contemporain exposition numérique commissariat d’exposition art posthumain experimental contemporary art digital exhibition curation post-human art Riss-Schmidt, Philippe Fortin-Tournès, Anne-Laure Curating Creative Experimentation: the HyperPavilion at the 57th Venice Biennial |
| description |
The interview tackles the issue of the relations between art and technology, curation and creation in the digital age. Philippe Riss-Schmidt, the curator of the HyperPavilion presented in the 57th Venice Biennial in 2017, comments on the conception of the exhibition as an experimental immersive space designed to reflect on the post-biohuman world we are entering, and to offer a critical perspective on how artists confront and challenge the digital revolution. |
| author |
Riss-Schmidt, Philippe Fortin-Tournès, Anne-Laure |
| author_facet |
Riss-Schmidt, Philippe Fortin-Tournès, Anne-Laure |
| author_sort |
Riss-Schmidt, Philippe |
| title |
Curating Creative Experimentation: the HyperPavilion at the 57th Venice Biennial |
| title_short |
Curating Creative Experimentation: the HyperPavilion at the 57th Venice Biennial |
| title_full |
Curating Creative Experimentation: the HyperPavilion at the 57th Venice Biennial |
| title_fullStr |
Curating Creative Experimentation: the HyperPavilion at the 57th Venice Biennial |
| title_full_unstemmed |
Curating Creative Experimentation: the HyperPavilion at the 57th Venice Biennial |
| title_sort |
curating creative experimentation: the hyperpavilion at the 57th venice biennial |
| publisher |
Angles |
| publishDate |
2020 |
| container_title |
URI:https://journals.openedition.org/angles |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/angles.1066 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/angles/1066 |
| _version_ |
1877293947644018688 |