Curating Creative Experimentation: the HyperPavilion at the 57th Venice Biennial
The interview tackles the issue of the relations between art and technology, curation and creation in the digital age. Philippe Riss-Schmidt, the curator of the HyperPavilion presented in the 57th Venice Biennial in 2017, comments on the conception of the exhibition as an experimental immersive spac...
محفوظ في:
| الحاوية / القاعدة: | URI:https://journals.openedition.org/angles, |
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| المؤلفون الرئيسيون: | , |
| التنسيق: | Article ou chapitre numérique |
| اللغة: | Anglais |
| منشور في: |
Angles
2020
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| الموضوعات: | |
| الوصول للمادة أونلاين: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| الملخص: | The interview tackles the issue of the relations between art and technology, curation and creation in the digital age. Philippe Riss-Schmidt, the curator of the HyperPavilion presented in the 57th Venice Biennial in 2017, comments on the conception of the exhibition as an experimental immersive space designed to reflect on the post-biohuman world we are entering, and to offer a critical perspective on how artists confront and challenge the digital revolution. |
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