Martin M. Winkler, Ovid on Screen, A Montage of Attractions
Within this literary and cinematographic tour de force, subtitled a ‘montage’ (in both the general and filmic sense, as Martin Winkler explains in his ‘Fade-in: Prooemium’, pp. xix-xxi) the author applies the conventions of script-writing in layout of and approach to his book on the Ovidian Nachleb...
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| 出版年: | URI:https://journals.openedition.org/anabases, |
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| 第一著者: | |
| フォーマット: | Article ou chapitre numérique |
| 言語: | Anglais |
| 出版事項: |
Anabases
2022
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| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| 要約: | Within this literary and cinematographic tour de force, subtitled a ‘montage’ (in both the general and filmic sense, as Martin Winkler explains in his ‘Fade-in: Prooemium’, pp. xix-xxi) the author applies the conventions of script-writing in layout of and approach to his book on the Ovidian Nachlebung within the film industry, from its late nineteenth century beginnings into the twenty-first century. After a Latin dedication to the author’s teacher and mentor, Friederick Ahl, multiple second... |
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