Malvinas : identidades y territorialidades en series no ficcionales recientes
From a semiotic perspective dwells on the theory of social discourses given by Eliseo Verón, we conceive Malvinas as an object not closed but rather open, dynamic and tense. In this regard, the National Institute of Cinema and Visual Arts has funded in recent years various audiovisual productions th...
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| Publicado no: | URI:https://journals.openedition.org/amerika, |
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| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Espagnol |
| Publicado em: |
Amerika
2016
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| Assuntos: | |
| Acesso em linha: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Resumo: | From a semiotic perspective dwells on the theory of social discourses given by Eliseo Verón, we conceive Malvinas as an object not closed but rather open, dynamic and tense. In this regard, the National Institute of Cinema and Visual Arts has funded in recent years various audiovisual productions that have assumed the representation of the Malvinas Question through the genre of nonfiction. More than 30 years of the war-as traumatic event-, through this corpus we analyze how the problem is constructed, what territorialities and identities are configured. |
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