The Gringos’ Batucada: Emerging debates on cultural appropriation in the context of Brazilian popular street music in the 2000s
This article describes the emergence in the 2000s of debates about the globalized appropriation of traditional Brazilian percussion music by mostly amateur members of foreign groups called batucadas (particularly in France or samba schools, blocos, maracatus depending on the musical genre). The noti...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/alterites, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Appartenances & Altérités
2024
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |