El teatro como ámbito de resistencia : identidad, inmigración y exilio
In the construction of a modern Argentina, inmigration plays a very important role. In the case of theatre, two different movements -Teatro Abierto and communitarian theatre- are fundamental in the way they stage the problematics of this inmigration. We will analyse this phenomenon through the study...
সংরক্ষণ করুন:
| প্রকাশিত: | URI:https://journals.openedition.org/alhim, |
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| প্রধান লেখক: | |
| বিন্যাস: | Article ou chapitre numérique |
| ভাষা: | Espagnol |
| প্রকাশিত: |
Amérique latine histoire et mémoire
2010
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| বিষয়গুলি: | |
| অনলাইন ব্যবহার করুন: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| সংক্ষিপ্ত: | In the construction of a modern Argentina, inmigration plays a very important role. In the case of theatre, two different movements -Teatro Abierto and communitarian theatre- are fundamental in the way they stage the problematics of this inmigration. We will analyse this phenomenon through the study of three plays - Gris de ausencia by Roberto Cossa, For export by Patricio Esteve and Lejana tierra prometida by Ricardo Halac -, and the production of the Grupo comunitario Catalinas Sur, Venimos de muy lejos. |
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