New York 1976 - EoB forever/ an old critic thinks he remembers
Name dropping is snobbism. But premiere memories are noble self-deceiving illusions born from the love of theater. Take the number of people who believe that they saw the first night of dreigroschenoper or EoB, It exceeds ten times the capacity of Theater am Schiffbauerdamm. and the capacity of the...
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| Publicat a: | URI:https://journals.openedition.org/agon, |
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| Autor principal: | |
| Format: | Article ou chapitre numérique |
| Idioma: | Anglais |
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Agôn
2026
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| Matèries: | |
| Accés en línia: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Sumari: | Name dropping is snobbism. But premiere memories are noble self-deceiving illusions born from the love of theater. Take the number of people who believe that they saw the first night of dreigroschenoper or EoB, It exceeds ten times the capacity of Theater am Schiffbauerdamm. and the capacity of the Metropolitan Opera House. I can swear to be present on an informal project showing at the BHF before The five hours July 1976 Avignon premiere, which makes me a senior expert on EoB. However, Thom... |
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