The Mask Stripped Bare by its Curators: The Work of Hybridity in the Twenty-First Century
This paper addresses the new hybridities that are emerging as 20th century installation paradigms of art and artifact are re-deployed in 21st century-museum installations of non-Western art. After more than two decades of sustained deconstruction and critique, the resurgent vitality of these moderni...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/actesbranly, |
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| Format: | Article ou chapitre numérique |
| Langue: | Français |
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Les actes de colloques du musée du quai Branly Jacques Chirac
2009
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |