Le ‘Gouffre du Colorado’ de Thomas Moran : Carrefour d’influences ou centre de diffusion ?
A work of art can be seen as a crossroads at which various historical movements converge, but it is also in motion, tracing its own trajectory. Drawing on actor-network theory, particularly as developed by Bruno Latour, this article situates Thomas Moran’s “The Chasm of the Colorado” (1873-74), in r...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/acs, |
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| Auteurs principaux: | , |
| Format: | Article ou chapitre numérique |
| Langue: | Français |
| Publié: |
Anglophonia Caliban/Sigma
2024
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| Sujets: | |
| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |