La ville à l’écran : esthétique du spectaculaire et du tentaculaire dans Metropolis de Fritz Lang et Brazil de Terry Gilliam
This paper addresses the city as a cultural construct in Metropolis (Fritz Lang, 1928) and Brazil (Terry Gilliam, 1985): first as a dream space for the development of futurist architecture, then as a privileged screen-space for chiaroscuro and the German expressionist context, and its transposition...
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| Gepubliceerd in: | URI:https://journals.openedition.org/acs, |
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| Formaat: | Article ou chapitre numérique |
| Taal: | Français |
| Gepubliceerd in: |
Anglophonia Caliban/Sigma
2024
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| Onderwerpen: | |
| Online toegang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Samenvatting: | This paper addresses the city as a cultural construct in Metropolis (Fritz Lang, 1928) and Brazil (Terry Gilliam, 1985): first as a dream space for the development of futurist architecture, then as a privileged screen-space for chiaroscuro and the German expressionist context, and its transposition in Technicolor, and third as the locus for an irretrievable metamorphosis of the human species, particularly in the depiction of Woman as a "femme fatale". |
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