Isabella Jackson, Shaping Modern Shanghai: Colonialism in China’s Global City
Known popularly as the “Paris of the Orient,” late nineteenth- and early twentieth-century Shanghai has fascinated scholars with its idiosyncratic blend of Chinese and Western cultures. Out of its unique cultural milieu arose a distinctive “Shanghai style,” encompassing literature, architecture, ci...
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| 出版年: | URI:https://journals.openedition.org/abe, |
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| 第一著者: | |
| フォーマット: | Article ou chapitre numérique |
| 言語: | Anglais |
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ABE Journal
2019
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| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| 要約: | Known popularly as the “Paris of the Orient,” late nineteenth- and early twentieth-century Shanghai has fascinated scholars with its idiosyncratic blend of Chinese and Western cultures. Out of its unique cultural milieu arose a distinctive “Shanghai style,” encompassing literature, architecture, cinema and fashion. It is via the latter of these that readers have commonly associated Shanghai with the notion of modernity. Most writing on the city has focused on the lifestyles of different clas... |
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