Socialist Networks and the Internationalization of Building Culture after 1945
In 1968 the Parisian journal Opus International published on its cover an image of two mirrored supermen, differing only by the acronyms on their chest: that of the United States and that of the Soviet Union (fig. 1). Designed by the Polish artist Roman Cieślewicz, this poster, it has been noted, m...
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| Gepubliceerd in: | URI:https://journals.openedition.org/abe, |
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| Formaat: | Article ou chapitre numérique |
| Taal: | Anglais |
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ABE Journal
2015
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| Online toegang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Samenvatting: | In 1968 the Parisian journal Opus International published on its cover an image of two mirrored supermen, differing only by the acronyms on their chest: that of the United States and that of the Soviet Union (fig. 1). Designed by the Polish artist Roman Cieślewicz, this poster, it has been noted, made the two powers appear as twins, accused them of exercising a destructive influence on the rest of the world, and suggested the impossibility, or futility, of choosing between them. Figure 1: Su... |
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