De Anton Pann à Matéo Maximoff. Le genre de l'adaptation
From Anton Pann to Matéo MaximoffTaking into account four writers recently designated as Romanian Rroms by several electronic historiographical sources, this article considersthe nature of the link established between Rrom’s poetic creation and the representation of the national Romanian cultural co...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Article ou chapitre numérique |
| Sprache: | Français |
| Veröffentlicht: |
2010
|
| Online Zugang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Zusammenfassung: | From Anton Pann to Matéo MaximoffTaking into account four writers recently designated as Romanian Rroms by several electronic historiographical sources, this article considersthe nature of the link established between Rrom’s poetic creation and the representation of the national Romanian cultural consciencethe present recognition of gipsy writers based on their work’s conformity with the category of « immanence plurielle » (G. Genette).The productions of the « immanence plurielle » can be considered as intensifying factors – of an always fragile national identity, compelled to repeat cultural motives – of a European cultural identity to be established, where the Rroms would be agents of hybridation as well neutrals as exemplary by virtue of the modesty of their contribution, however assured of finding audience at least abroad. |
|---|