Images as Lenses. Time, Anaesthesia, and Everyday Life
This article traces a history of images—from photography to replay—understood as fractures in time. At the intersection of formal analysis and sociological inquiry, it examines: a) the relationship between images, shock, and mnemonic recomposition; b) the disjunctions that arise in the rec...
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| פורמט: | Article ou chapitre numérique |
| שפה: | Français |
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2025
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| גישה מקוונת: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| סיכום: | This article traces a history of images—from photography to replay—understood as fractures in time. At the intersection of formal analysis and sociological inquiry, it examines: a) the relationship between images, shock, and mnemonic recomposition; b) the disjunctions that arise in the reception process between dreams and reality; c) the forms of pleasure and the sublime; d) the connections between images, everyday life, and narcotization; and e) the overlaps between images, advertising, and identity.
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