Pourquoi faut-il toujours défendre le Palais de la découverte ?
Between the composer and the performer there is a chain of translations, to which the audience is invited. The performer must actually make the work his own. The aesthetic dialogue is based on this condition of hospitality. The works are imperfect translations, an ever-renewed work, that of a lifeti...
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| Format: | Article ou chapitre numérique |
| Language: | Français |
| Published: |
2026
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| Online Access: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |