Marie-Ange Fougère. Rire à l’Exposition universelle. La fin d’un mythe. Nanterre, Presses universitaires de Paris-Nanterre, 2021, coll. « Les arts en correspondance », 162 p.

In the first quarter of the 19th century, French history wall posters benefited from a particular intellectual context, which promoted the national narrative as much as its pedagogy. As history was gradually established as a school subject, the wall poster was presented as a specific material medium...

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Detalles Bibliográficos
Autor principal: Vérilhac, Yoan
Formato: Article ou chapitre numérique
Lenguaje:Français
Publicado: 2025
Acceso en línea:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM

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https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-romantisme-2024-4-page-137?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rom.206.0137