De l’introspection à l’exposition de soi au Moyen Âge

From Introspection to Self-Exposure in the Middle AgesComing out of the MEDIEVARS (Medieval and Renaissant Self-Representation) research project, this paper highlights the variety of concepts and practices in medieval self-representation. Following clarification of concepts of the person, as individ...

詳細記述

保存先:
書誌詳細
第一著者: Gaucher-Rémond, Élisabeth
フォーマット: Article ou chapitre numérique
言語:Français
出版事項: 2016
主題:
オンライン・アクセス:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
その他の書誌記述
要約:From Introspection to Self-Exposure in the Middle AgesComing out of the MEDIEVARS (Medieval and Renaissant Self-Representation) research project, this paper highlights the variety of concepts and practices in medieval self-representation. Following clarification of concepts of the person, as individual and as subject, the paper reviews the expressions – literary and pictorial, symbolic and figurative – that are evidence of self-reflection aimed at public exhibition of the self. Seals, signatures, coats of arms, devices, paintings, illuminations, statuaries, and literary self-portraits are combined because of the intentionality they presuppose. They make it possible to assess the emergence of personal awareness and the need to use interdisciplinarity to understand it in proper context. Without being exhaustive, the corpus is representative; though limited to France from the 12th to the 15th centuries, it does not ignore the influence of foreign models (Italy, Germany, Holland).