Dame polyvalente, glissement registral et contrafacture chez Thibaut de Champagne
Multifaceted Lyric Ladies, Intergeneric Play and Contrafacture in the Songs of Thibaut de Champagne The 63 songs of the 13th century trouvère Thibaut de Champagne show a remarkably hybrid structure which resists easy classification into registers, instead engaging in a kind of intergeneric play...
Сохранить в:
| Главный автор: | |
|---|---|
| Формат: | Article ou chapitre numérique |
| Язык: | Français |
| Опубликовано: |
2013
|
| Предметы: | |
| Online-ссылка: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Итог: | Multifaceted Lyric Ladies, Intergeneric Play and Contrafacture in the Songs of Thibaut de Champagne The 63 songs of the 13th century trouvère Thibaut de Champagne show a remarkably hybrid structure which resists easy classification into registers, instead engaging in a kind of intergeneric play that highlights the porous nature of such boundaries. This article explores the concept of the archidame, or archi-lady, an abstract personage who can be realized, according to context, as the subject of a love song, devotional song, or pastourelle. The rhetorical strategies linking secular and Marian songs are particularly intricate, and are explored via an analysis of the debate genre, which serves as a crucible for the ethics of courtly love. The debate song is also at the hub of the network of contrafacture, which is proving to play a significant role in the social network of courtly poetry. |
|---|