A System of the Arts and the Theory of the Novel
Támas Seregi focuses upon the philosophy and aesthetics of Lukács and offers a double reflection: the first perspective bears upon Lukács’s system of the arts and the novel, the second one focuses upon Lukács’s specific readings of novels. Two manifest conclusions are to be drawn: within the syste...
Salvato in:
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| Natura: | Article ou chapitre numérique |
| Lingua: | Français |
| Pubblicazione: |
2019
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Riassunto: | Támas Seregi focuses upon the philosophy and aesthetics of Lukács and offers a double
reflection: the first perspective bears upon Lukács’s system of the arts and the novel, the second
one focuses upon Lukács’s specific readings of novels. Two manifest conclusions are to be
drawn: within the system of the arts, the novel is the first art because it is the most able to
address temporal and social issues; Lukács’s reflection upon the novel makes it obvious that
the novel remains — for him — a play upon mediation and immediacy and finally lets
immediacy manifest itself. This final step of Lukács’s reflection shows that he ultimately
defended that art is a part of nature. It turns out “to be an abstract intellectual labor which is
inaccessible for both poiesis and praxis”.
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