Les aventures de la pensée
This article addresses the paradoxes which define The Theory of the Novel: a theory of the novel which is an essay about the genre; a discourse which finally does not tell the truth of the novel but constructs worlds, a world, the one which is inferred from the various comments, and is mostly per...
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| Formato: | Article ou chapitre numérique |
| Idioma: | Français |
| Publicado em: |
2019
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| Acesso em linha: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Resumo: | This article addresses the paradoxes which define The Theory of the Novel: a theory of the novel
which is an essay about the genre; a discourse which finally does not tell the truth of the novel
but constructs worlds, a world, the one which is inferred from the various comments, and is
mostly performative. Lukács appears to be the problematic hero of his own book. Because of
its ambivalences and equivocations, Lukács’s essay shuns the received definitions and usages
of many critical notions. Literary forms should be identified as kinds of transitional objects —
they are produced by historical conditions; they give access to these conditions, and
consequently can be viewed as able to change historical reality.
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