Céline Frigau Manning, Ce que la musique fait à l’hypnose: Une relation spectaculaire au xixe siècle (Dijon: Les Presses du Réel, 2021), 17 × 24 cm, 378 p., 30 ill., bibliogr., index, coll. «Œuvres en société».
For Margaret Cavendish knowledge in natural philosophy can only amount to probability and never to certainty. Cavendish’s probabilism might seem to echo some of the stances of the Royal Society on the uncertainty of knowledge in natural philosophy. However, Cavendish’s probabilism is grounded in her...
Сохранить в:
| Главный автор: | |
|---|---|
| Формат: | Article ou chapitre numérique |
| Язык: | Français |
| Опубликовано: |
2024
|
| Online-ссылка: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Итог: | For Margaret Cavendish knowledge in natural philosophy can only amount to probability and never to certainty. Cavendish’s probabilism might seem to echo some of the stances of the Royal Society on the uncertainty of knowledge in natural philosophy. However, Cavendish’s probabilism is grounded in her metaphysical conception of nature and in the ontological properties she attributes to matter, which are in stark contrast with the empirical and experimental method of the Royal Society. Cavendish’s probabilism is metaphysically grounded insofar as she claims that the probabilistic nature of any discourses in natural philosophy can be explained by and integrated into her metaphysical conception of nature. Therefore, we should be careful when using Richard Popkin’s category of “constructive or mitigated scepticism” from his History of Scepticism to label Cavendish epistemology as it has been the case sometimes in the literature on Cavendish. |
|---|