Une lecture de la nouvelle « Le Châle » de Cynthia Ozik
Cynthia Ozick’s 1991 collection “The Shawl” takes the readers to an exploration into an arching void left by the Holocaust in History and within the human being. The present article proposes to investigate how the void is eventually offset by the power of imagination which is embodied by the shawl o...
Enregistré dans:
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| Format: | Article ou chapitre numérique |
| Langue: | Français |
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2009
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RHSHO_191_0119 |
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cairn |
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cairn-RHSHO_191_0119RHSHORevue d’Histoire de la Shoah https://shs.cairn.info/revue-d-histoire-de-la-shoah-2009-2-page-119?lang=fr https://doi.org/10.3917/rhsho.191.0119 Une lecture de la nouvelle « Le Châle » de Cynthia Ozik Vernadakis, Emmanuel2009 fre Revue d’Histoire de la Shoah | 191 | 2 | 2009-10-14 | p. 119-132 | 2111-885X RHSHO_19134 Cynthia Ozick’s 1991 collection “The Shawl” takes the readers to an exploration into an arching void left by the Holocaust in History and within the human being. The present article proposes to investigate how the void is eventually offset by the power of imagination which is embodied by the shawl of the title. Through a creative use of the descent into hell pattern, Ozick makes of the shawl a floating hyphen between the two stories of the collection. The shawl becomes a powerful symbol that invites the heroine (a young mother in the first story and an aged and childless lunatic in the second) to still rebuild her identity through otherness.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
Cynthia Ozick’s 1991 collection “The Shawl” takes the readers to an exploration into an arching void left by the Holocaust in History and within the human being. The present article proposes to investigate how the void is eventually offset by the power of imagination which is embodied by the shawl of the title. Through a creative use of the descent into hell pattern, Ozick makes of the shawl a floating hyphen between the two stories of the collection. The shawl becomes a powerful symbol that invites the heroine (a young mother in the first story and an aged and childless lunatic in the second) to still rebuild her identity through otherness. |
| author |
Vernadakis, Emmanuel |
| spellingShingle |
Vernadakis, Emmanuel Une lecture de la nouvelle « Le Châle » de Cynthia Ozik |
| author_facet |
Vernadakis, Emmanuel |
| author_sort |
Vernadakis, Emmanuel |
| title |
Une lecture de la nouvelle « Le Châle » de Cynthia Ozik |
| title_short |
Une lecture de la nouvelle « Le Châle » de Cynthia Ozik |
| title_full |
Une lecture de la nouvelle « Le Châle » de Cynthia Ozik |
| title_fullStr |
Une lecture de la nouvelle « Le Châle » de Cynthia Ozik |
| title_full_unstemmed |
Une lecture de la nouvelle « Le Châle » de Cynthia Ozik |
| title_sort |
une lecture de la nouvelle « le châle » de cynthia ozik |
| publishDate |
2009 |
| container_title |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-d-histoire-de-la-shoah-2009-2-page-119?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rhsho.191.0119 |
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